New Quaverbox Site 2012

27 Nov 2011
This website is currently being reconstructed to include a new look, and a lot more resources! We hope to be ready in time for the New Year so come back early in 2012! read more...

Office Closed until 24 October

14 Oct 2011
We're closed from Fri 14 October to Mon 24 October. Any orders received will be shipped once business resumes. read more...

Attaching a Progression to a Melody

Jay asked, "I really want to find an easy way, if there is one. The question - If I have a melody, then how do I come up with interesting chord progressions for it?" read more...

Major and Minor

As musicians, we come across the terms 'major' and 'minor' everyday yet not many of us really know what they mean. read more...

How Much to Practise?

Most of us lead busy lives. If you're a student, there are exams and assignments. As an adult, it's even tougher - work commitments, raising children, etc read more...

Demystifying Diminished Chords

Basically, a diminished chord is a stack of minor 3rds. For those of you who have no idea what that means, you can work out a dim chord by starting at the root, counting up 3 semitones, playing that note, then count up another 3 semitones, and playing that note too. read more...

The Major 2nd Chord

In short, major 2nd chords are major triads with the major 2nd added, so a C2, for example, should be thought of as C E G + D. There are 4 inversions of this chord read more...

Playing Appropriately

Many budding improvisers like to unleash their entire arsenal of tricks in every bar they play. For some reason, this occurs mainly with males, and results in noisy, overpopulated playing. Let's face it.. guys like to show off. And so, at every opportunity, guys will work in fancy syncopated runs and pull off any cool moves they know. It's in our blood.

But, the mark of a mature piano player is knowing when to hold back and when to go for it. Listen to a variety of of recordings and notice how much or how little the piano is played. Notice how each band member complements each other and respects each other's space.

Always think before you play. Ask yourself questions like:
• what did I just play in the previous bar?
• should i play the next bar in a similar way or create contrast?
• do I really need to play this chord again or will sustaining it create a better effect?
• is my playing starting to sound cluttered and busy?
• am I playing certain notes or using certain rhythms out of habit? 
• does my playing complement other band members or are we all competing to be heard?
• does my playing allow sufficient space for a vocalist or am I interfering with the melody line?

There needs to be a balance between the amount of notes and the amount of space in your playing. When I refer to 'space', I'm not talking about the absence of sound, but I'm referring to sustaining a chord or note instead of playing one. Make sure there is contrast in the quantity of notes you play, so if you've just played 2 or 3 busy bars, maybe it's best to keep the next one relatively empty.

Record your playing frequently. From the recording, you can easily identify the areas you need to work on. Good luck!

 

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