New Quaverbox Site 2012

27 Nov 2011
This website is currently being reconstructed to include a new look, and a lot more resources! We hope to be ready in time for the New Year so come back early in 2012! read more...

Office Closed until 24 October

14 Oct 2011
We're closed from Fri 14 October to Mon 24 October. Any orders received will be shipped once business resumes. read more...

Attaching a Progression to a Melody

Jay asked, "I really want to find an easy way, if there is one. The question - If I have a melody, then how do I come up with interesting chord progressions for it?" read more...

Major and Minor

As musicians, we come across the terms 'major' and 'minor' everyday yet not many of us really know what they mean. read more...

How Much to Practise?

Most of us lead busy lives. If you're a student, there are exams and assignments. As an adult, it's even tougher - work commitments, raising children, etc read more...

Demystifying Diminished Chords

Basically, a diminished chord is a stack of minor 3rds. For those of you who have no idea what that means, you can work out a dim chord by starting at the root, counting up 3 semitones, playing that note, then count up another 3 semitones, and playing that note too. read more...

The Major 2nd Chord

In short, major 2nd chords are major triads with the major 2nd added, so a C2, for example, should be thought of as C E G + D. There are 4 inversions of this chord read more...

How Much to Practise?

Most of us lead busy lives. If you're a student, there are exams and assignments.  As an adult, it's even tougher - work commitments, raising children, everybody and everything demands your time.  Unfortunately, piano practice adds to that list.  So let's be realistic.  Most of us aren't striving to be world-class performers - we have moderate, personal goals and would like to improve as quickly as we can with as little practice each week.  Sound about right?

The key to consistent progress is consistent practice and there's no way around that, but if we practice efficiently, we can make the most of each minute we're sitting at the keyboard.  As a minimum, aim for 3 practice sessions per week and try to devote 20-30min for each session.  If that seems very manageable, then practise more. If it seems too much of a commitment, aim for 10min practice every second day. Regular amounts of practice will see you improve, even if it's only 10 minutes at a time.

Technical work involves playing scales, broken chords, ear training, etc. For most of us, it's a struggle to diligently practise our scales and other exercises. But if I can show you their importance and relevance, then maybe this would motivate you a little more.

Here's a simple analogy. Let's say you're a athlete, training to compete in the 100m sprint. In preparation for the event, you'll need to do more than just run 100m every day. Sure, that will help, but it'll take more than that to win the event. There's weight training, proper diet, exercises and a lot of other activities that contribute to your success as a 100m sprinter. The same applies to playing and improvising songs well. Scales and broken chords strengthen our fingers, improve our coordination, provide evenness in our playing and internalises chord structures. Ear training helps us to identify chords upon hearing them which is essential for playing by ear, music composition, transposition, etc.

Practically speaking, start off each session with a few minutes of scales and broken chord exercises. For beginners, aim to learn 2 major scales each week. Focus on correct fingering, evenness and smoothness, rather than speed. Practise hands separately, then together. Broken chords help improve your grounding of triads and their inversions, and prepare you to execute some fancy runs in the future.

Now you've warmed up and are ready to practise your songs. But, don't just play songs from start to finish, stumbling past the same mistakes each time. Break your song into verse and chorus, and break that down further into smaller 2 or 4 bar progressions. Practise these progressions repeatedly until you can vary the inversions of each chord without hesitation or gaps in your playing. There's so much more I can say, but hopefully, this will give you a start to proper practice techniques. Any questions.. please email me!

 

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clement williams
Posts: 2
Comment
how can I join
Reply #2 on : Tue January 10, 2012, 19:40:01
I heard a guy the other day he was teaching I love what he taught I need a solid program I've been conned rip off it's crazy I need a slid program
Fam Pei Ling
Posts: 2
Comment
Ear training lesson
Reply #1 on : Sun November 20, 2011, 21:11:07
How can I train my ear? Is there any good ear training programme that u can list for me?
cuz i m scared that buying it on9 is a scam.. thankyou so much...